Time to Pause

This is my first post for maybe five months.

It has been a wonderful time to pause, centre and immerse into contemplative practice, private discourse and growth.

Please find below a celebration of a shared experience of pausing last week.

Pausing together.

I sit next to James’ glassy eyed breath

slurring in grief and quiet disconnect to

witness stressed footfalls pass swift his lament

brown staining duvet and cardboard cement

changeless frayed fingering in woollen damp thread

cap churning suchness through fear fuelling dread.

To follow, I swallow guilt filled regret

bus fares, fast food and dead father non-sleep

sick discharge of mother and sore bloated feet

crazings on paving, stunned cracks in shared ground

oozed out un-sparing, unseen yet, profound

re-rememberings of something beyond

so still to relax I sit side by side

still breathing with James, still leaning, we Three

for grace-filled unknowings to let this time be.

 

Sculpting the river of my week

Kierkegaard

If anxiety takes a firm grip, then look down at the wild flower at your feet and up into the heavens at the birds flitting joyfully in the air

Robert Besson
Translate the invisible winds by the water it sculpts in passing

So to my week:

• On a silent walking retreat my soft heal crushes a snail into a shocking brown-greenness.
• In a mindfulness class I arrange spider plant (with babies attached) and a succulently small money tree so they are both at the centre of our shared circle of intent. While holding in my hands the third natural teacher (a dead fungus filled stump that was once a verdant Kalenchoa), we all sit and count our breath.
• I iron my orange shirt for todays marriage of a seventy-year-old guide leader to her scouting sweetheart. The creases eventually cannot resist the heat.
• I practice songs for next weeks cremation of a vibrant local boxer until the mechanical call of an NHS text reminds me of my own hospital visit. Smiling I realise that I will check in for signs of cancer on the same day I sing as he checks out for and from the same.
• Encouraging the fly, I flap my arms while he, or she, repeatedly hits the glass and belligerently misses his or her freedom to vomit over the grassy dog poo just outside the counselling front door.
• I spend many evening hours, over four days, crafting a poem evidently too pious, too repetitively derivative and self-conscious to share. Celebrating unfixing myself from insecurity and fixed view-point I post the poem on my blog regardless.
• Closing the door to the dog poo, I listen to confusion and hurt within relationship.
• I listen to withdrawal and concrete thinking.
• I listen to anxiety and lowness, anxiety and slowness, and forms of anxiety that meet unknowing complexity with palpitations and screams from inside.
• I listen to sexual and intimate delicacies.
• I read emails of thanks and connection, direction and guff.
• I listen and read and listen and learn and listen and interject maybe too much, certainly, this is too much, I say, too much, too much, and after its done I call all this stuff, my exhausting, thoughtful, heart expanding, working, contracting, intimately searching and ultimately, at the end of three days, I breathe with release and relief from another instalment of these fee paying weeks
• and yet
• Today I meet friends and family who too are sharing, who are struggling, who are marrying, who are dying and mourning, rejoicing and worrying too hard and too long, who are avoiding and connecting and flourishing, rejoicing and sharing their joy in fellowship and song, who are quietly anxious, depressed, or just happy, gregarious and maybe withdrawn, stressing to futures, regretful, forlorn and for each and all of this wonderful otherness, I call them my life, my riches, my home.

Wakefulness begun

St Therese to chaplain Piere Belliere, in 1897,
a few months before her death at age 24:

I am not dying, I am entering into life.

Wakefulness again begun.
Bleeding free upon glimpsed shards of Luminous trust
that mysteriousness between this and this
sensational suffering mind.

yes

quietly wake to still
this and this constantly re-fining will
re-fuel oneself to wait upon

that still small Voice

that Glittering Jewel

that active, in-active othering choice
to re-ignite in blessed hoped for souls renewal
by sinking-in ankle deep
that Ground grown moist
from leakages of wonton wounds and size nine feet

Now

to stretch those tiny toes deeply deep
into that oozing boiling balm
that heated hopeful weight full ness
immersions that convert alarm to dozing daze and waits to be
replenished and be-calmed in fertile fires and shining mists
of Love and Grace said to exist beyond this and this
pre-occupied pre-possessed never ended re-positioning of grasp and cling to
flesh and bone and time and test.

Dorothy Crowfoot Hodgkin

Thinking about Museums

I have excavated this from one of my old journals:

Feb 2007:

Today I spotted a National Portrait Gallery painting of Dorothy Mary Crowfoot Hodgkin aged 75.  This Nobel prize winner for chemistry and ex University of Bristol big wig was pictured furiously, nay, many handedly writing important stuff on scraps of paper while surrounded by brightly assorted gob-stoppers stuck on a miniature roller coaster of stickle brick type proportions. This chemical Meccano type construction was placed untidily before her on what looked like a kitchen table and I thought now that’s a lady I need to question more deeply:

Questions to D.M. Crowfoot-Hodgkin (1910-1994)

Where did you get your drive and your single-minded abandon
your freedom from fashion, your joy for refraction,
your brilliant electrical brain?
And how did keep your spark alive,
did you delve the B12 and magnify the question
did you ruminate while rheumatoid ruined circulation
and how on earth did you understand simultaneous equations
and the balls and sticks and mathematics of your chemical creations?

Did your emerald gown graze the floor when you got Nobelled in ’64
did you dance and laugh and belch and glide,
on the music and the bubbly and the sheer self pride
and between ‘71 and ’88, Ms Dorothy Chancellor Crowfoot. H
did your passion overflow in the science class
were your lectures loved to bits, did your students pass
or as a Bristol University figure head
did you bury yourself in research instead?

But back to that oil at 75, it says:
you really lived while being alive,
says despite, hair sight short white knuckle-twist and bend,
you groped and gripped and grappled truth until your very end.

(This poem was written in response to Maggi Hambling’s oil on canvass, 1985, which was part of the ‘Work Rest and Play exhibition’ at Bristol’s Museum and Art Gallery, Jan-April 2007)